Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Friday, 21 July 2017

France 1947 - Abbey of Sainte-Foy

Torture, theft, and pilgrims. What do these seemingly disparate deeds have in common? For the answer we need to travel to the Occitanie region in southern France. Here you will find the lovely little village of Conques. A village nestled among rolling hills and crisscrossed with narrow medieval roads. And perhaps most importantly the Abbey of Sainte-Foy.  

It all started in the 8th century. Fleeing from the Saracens in Spain, their lives in the balance, a small group of monks found a safe haven in Conques, and there built themselves an oratory.  Thus the Abbey was born. But what is an abbey without holy relics to worship? After two failed attempts to secure some desperately needed relics, the abbey authorities sent a lone monk on a holy quest to the ancient St. Faith's Church, in Sélestat. His mission: to acquire the relics St. Foy. 

According to the story, St. Foy (or St. Faith) was a young woman from Aquitaine, who was arrested during persecution of Christians by the Roman Empire. Apparently she refused to make pagan sacrifices. The Romans even employed torture in order to force her to perform said sacrifices, but no dice. Consequently, St Foy was tortured to death with a red-hot brazier. Not a pleasant concept to envisage.

But back to the story of our intrepid undercover monk. Unfortunately for him his mission was somewhat trickier than what he had probably hoped. Believe or not, it took him nearly ten years to manage to get himself close enough to the relics in order to steal, then deliver them to the abbey in Conques. As a result of this brave, albeit somewhat dubious deed, the abbey became known as the Abbey of Sainte-Foy.

Over time the abbey became more popular as it was now a regular stopping point on a well-used pilgrim trail. Increased traffic to the church demanded a larger structure to accommodate more pilgrims. In the 11th century the original church was destroyed and a much larger building erected in its place. Significant additions were made to the abbey in the 12th century, further adding to its mystique. Today, visitors to the village can walk along narrow streets lined with gorgeous medieval buildings. I'd suggest doing a google image search of 'Conques'. I did, and fell in love!  

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On 18 September 1947 France issued a stamp featuring the Abbey of Sainte-Foy. The stamp was designed and engraved by Pierre Gandon.


This is a stunning design which really captures quaint, almost fairy tale, quality of this beautiful French town. Je l'adore!

Until next time...


Wednesday, 12 July 2017

I Muse... On a Mystery Solved!

Last week I tracked the journey of a lovely cover I recently purchased bearing a stamp engraved by Pierre Gandon. Click HERE to check it out. The cover bears a lot of intriguing cancels. Luckily I was able to identify all but one of the cancels.


At the time that I wrote the blog, this cancel had me stumped. I managed to work out that "Centre de Tri" is a French mail sorting centre. But the name of the sorting centre I couldn't work out. Yesterday, with the help of a stamp buddy, I had another crack at it. As often happens after having a bit of a break from the dilemma, we solved this one in a matter of moments!

The mysterious cancel, as it turns out, isn't so mysterious after all. It is a cancel for the Orly Mail Sorting Centre at the Orly Airport in Paris, France. Before the opening of the Charles de Gaul Airport in 1974, Orly was the main airport in Paris.

Of course, however, a particular cancel cannot be definitely identified without another full example for comparison. thankfully my stamp buddy's search came up trumps, and I have my proof!



It's always a good feeling when a little mystery gets solved!

Until next time...


Friday, 16 June 2017

France 1949 - Franco-American Alliance

It all started in 1776 when a young colony rebelled against its motherland in an attempt to smash the shackles of bondage. This colony called upon the aid of France to assist in their struggles for independence. In 1778, France and the new United States signed a treaty of alliance. With foreign aid this colony eventually won their war for independence in 1783. You may have heard the name of this colony once or twice. It now goes by the name: United States of America. This alliance solidified relations between the two nations, and except for two occasions in 1798 and 1942 they managed to maintain fairly peaceful relations. Indeed, in 1884 France gifted America with the stunningly beautiful Statue of Liberty as a symbol of friendship.

For the sake of brevity, we can skip forward to a little over one hundred years later. It is 1949. World War II is thankfully over. And after some rocky relations since the end of the war, the two nations of France and the USA have became formal allies as part of the North Atlantic Treaty. From this treaty was formed the NATO military alliance. But it was not all smooth sailing between the two nations. The Suez Crisis in 1956, for instance, caused a substantial amount of friction between the two countries. In the end, however, the two countries have maintained a reasonable relationship. Indeed, over the years the young people of France have embraced many cultural aspects of the US. Whether the bombardment of US culture on other nations is a good thing or a bad thing is not really for me to say - at least not here! 

This is, of course, an astoundingly brief summary of historical events from 1766 to the present. To go further would require a ridiculously long blog. To read more on the history of the relationship between France and the USA click HERE

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On 14 May 1949 France issued a stamp to celebrate the formal alliance between France and USA. The stamp was engraved by Pierre Gandon.


This elegant design represents the allied nations as shields bearing their respective flags. Between the shield is worked a cross-hatch pattern to represent the weaving together of two countries via trade and travel. This concept is furthered by the illustration of a plane, top centre, and a transatlantic ship, lower centre. Altogether this is a solid design with a dramatic visual punch.

Until next time...



Saturday, 10 June 2017

France 1949 - CITT in Paris

On 15 June 1949 the ITU (International Telecommunication Union) met in Paris for a major telecommunications conference called the CITT (Conference International Télégraphique et Téléphonique). This conference focused on things like the normalisation of international telegrams, radio-telegrams, and transport tariffs. The conference lasted nineteen days, concluding on 3 July 1949.

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On 13 June 1949 France issued a set of five stamps for the occasion of the CITT in Paris. The highest value in this set, the 100f value, was designed and engraved by Pierre Gandon. This amazing stamp features the Pont Alexandre III with the Petit Palais in the background.


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The main focus of this truly stunning stamp, as mentioned above, is Pont Alexandre III. Work began on this bridge in 1897 under the guidance of the engineers Jean Resal and Amédée Alby. Designed by Cassien-Bernard and Gaston Cousin, was a symbol of Franco - Russian friendship, which was established by the alliance between Emperor Alexander III of Russia and the President of the French Republic, Sadi Carnot, in 1891. This alliance was solidified when Tsar Nicholas II of Russia, Empress Alexandra Fedorovna, and President Felix Faure laid the first stone of the bridge on 7 October 1896. When completed, the bridge was inaugurated for the Universal Exhibition of Paris in 1900.

The detail Gandon has incorporated into the engraving of the bridge is incredible. Here's a close-up.


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In the background we can the Petit Palais, which was purpose built for the Universal Exhibition of Paris in 1900. The building was designed by Charles Girault, who won the competition for the privilege of undertaking the design. Construction began on 10 October 1897 and the building was completed in April 1900. The total cost of the Petit Palais at the time of the construction was £400,000.

Only one side of the Petit Palais is fully visible in the stamp, the rest being mostly covered by trees, but what can be seen, its domed roofs, its stunning facade, are spectacular. Here's a look...


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I think what captures my imagination most, however, is the details of the tiny door found to the left of the bridge. I love it. The exquisite detail. The mystery of what may be behind that door...


Until next time...


Sunday, 4 June 2017

France 1944 - Travelling Post Office Van

I once heard that a city without a rail network is like a body with no arteries. Perhaps a slight exaggeration there, but nevertheless since the early to mid nineteenth century, trains have played an integral role in the industrial development of many, many countries.

The first railway lines appeared in France in 1823. These lines were generally quite short and used for mining. After seeing the success of larger rail networks in Britain, France decided it was time to develop their own railway system. This decision was, in part, to link with the existing system in Britain to boost trade.

One of the most important early French rail lines was the Paris-Le Havre line. The first section of this line to be built was the Paris-Rouen. In order to facilitate the construction of the line, the Paris and Rouen Railway Company was established. They appointed a man by the name of Joseph Locke as the head engineer. It is worth pointing out that this scheme had its fair share of opposition. Many believed it was detrimental to the landscape, primarily agriculture. France already had an established system of water-borne transport, which utilised the country's numerous natural waterways. It was argued that a rail system would create dangerous opposition to this established economy. But, in the end, industrial progress - good or bad - won the day. And on 9 May 1843 the Paris-Rouen line (the first section of the Paris-Le Havre line) was opened. The remainder of the line was opened om 22 March 1847. In total, this rail line stretched for 228 km.

Opening of the Paris-Rouen Rail line, 1843.

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On 10 June 1944 France issued a stamp commemorating the 100th anniversary of the creation of mobile postal services. The first use of the rail mail coach - from the tiny bit I've been able to discover - began with the Paris-Rouen line in 1844. The stamp was designed by M. Pelletan.


And the engraver... Well, that's where things seem to get interesting! There is no engraver name on the stamp. According to Stanley Gibbons, the engraver was Pellean. But... but everywhere I have looked on the internet, the engraving has been attributed to Pierre Gandon. Is this another case of Gandon's name not being allowed to appear on the stamp? Or is this simply a case of the name of the engraver being omitted for no good reason, other than that it just is? I don't know! If anyone can shed some light on this issue I'd be very grateful.

Until next time...


Thursday, 11 May 2017

France 1945 - Marianne de Gandon

Dubious past associations can sometimes come back to haunt a person and affect the rest of their life whether they be innocent or guilty. But sometimes unforeseen circumstances can extinguish one's past, giving them a chance to start over.

In late 1944, after Paris had been liberated from the Nazis, the leader of Free France, Charles de Gaulle, returned to France from his exile in England. He quickly set up a provisional Government. One of the things he wanted to do as soon as possible was to have a new France definitive stamp issued, a stamp that would reflect the country's fierce patriotism and pride. He wanted a new Marianne design. Consequently, a contest for the design of the new definitive was launched.

Meanwhile, the stamp engraver, Pierre Gandon, had been considered by Charles de Gaulle's new Government as a Nazi collaborator by continuing to work for the Vichy Regime. They offered as proof his role in the creation of Vichy "propaganda" stamps, namely the Tricolour Legion stamps, issued 12 October 1942. Click HERE to view my blog on this stamp set. Whatever the case, as a result of this alleged collaboration, Gandon was blacklisted and his name was removed from the French Post Office's engraver list.

However, and this is where the story gets interesting, Gandon had actually already submitted a potential design for the new France definitive. And when Charles de Gaulle reviewed all the potential designs, one design in particular stood out. Without knowing who the designer was, Charles de Gaulle chose Pierre Gandon's design! One can only imagine the conundrum de Gaulle faced when he discovered who the winning designer was. It seems that his love for the design outweighed all else, and Gandon was allowed to work on the engraving. This proved to be a superb choice! What resulted was one of the finest definitives ever produced. The Marianne de Gandon.

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It was decided early on in the production of the Pierre Gandon's Marianne design that the stamps would be issued in three versions. A version printed in typography, which was a relatively cheap method of stamp production, was for internal use. This design was engraved by Henri Cortot. And two versions, for overseas mail, printed in intaglio: a small format and a large format. Both iintaglio versions were engraved by Gandon.

On 15 February 1945 France issued two Marianne de Gandon stamps. The first of these was the 4f blue, printed in intaglio. It was designed and engraved by Gandon. It is a truly stunning stamp.


The other stamp issued on 15 February was the 1.50f pink, printed in typography. This printing method produced far less attractive results.


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Four further values were printed in the small format intaglio type. The 20f green on 4 March.


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On 15 March two values were issued. 10f blue and 25f orange.



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On 15 May the last of the small format intaglio stamps was issued. 15f  lilac-pink.



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On 12 March 1945 the first large format Marianne de Gandon was issued. The 50f brown-red. In my opinion this format is also the best! 


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Three further values were issued in this large format. The 100f carmine on 12 March.


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The 20f green on 14 March.


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The 25f violet on 16 May.


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This gorgeous design portrays Marianne wearing a Phrygian cap and staring off to the right (perhaps to the future) with her head slightly raised. This elegant design encapsulates freedom, pride, and strength. To create this beautiful design, Gandon used his own wife, Raymonde, as the model. What a charming way to immortalise your life partner.


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So which format is your favourite? And for that matter, do you have a colour preference?

Until next time...


Thursday, 4 May 2017

France 1945 - Liberation

It began on 19 August 1944. The Liberation of Paris. Also called the Battle for Paris. This was a time of sweeping change in World War II. The D-Day landing had been a success. The allies were pushing further and further into France, gradually removing Nazi German occupation from strategic locations. Charles de Gaulle, the leader of Free France and living in exile in England, had decided that now was the time to liberate Paris from Nazi German rule. The city had been under the rule of the Nazis since 22 June 1940 when the Second Compiègne Armistice was signed. It is interesting to note that Paris was not deemed a location of significant strategic importance by the allies. So its liberation was actually not a high priority. Charles de Gaulle disagreed, He stressed that France needed now more than ever a stable government, a government that controlled Paris.  
  
The French Forces of the Interior (FFI) had already begun to pave the way for the Liberation of Paris. Months earlier, Radiodiffusion nationale (French National Radio) had been put back into French hands, and broadcasts of the allied push through France had alerted the public in Paris of what was happening. Further, the FFI had begun placing posters throughout the city urging the population to fight. All citizens aged 18-50 were called on to arm themselves, to join "the struggle against the invader (the Germans)". Other posters promised that "victory is near!"

On 19 August the FFI (better known as the French Resistance) took action and staged an uprising in the city with the help of everyday Parisians. Their goal was to harass and inflict as much damage as they could on the German garrison until the arrival of the French and US Armies. On the 20 August the FFI had started erecting barricades using everything to hand, such as trucks, trees, and even street paving. The FFI managed, through a form of guerilla warfare, to capture German fuel trucks. And they commandeered civilian vehicles, painted them in camouflage, and marked them with the FFI emblem. They used these vehicles for transporting things such as ammunition from one barricade to another. They were also used as mobile gun platforms. This was quite an impressible ad hoc army!





By 22 August the fighting had hit a peak. And on the 23 August the Germans started massive retaliatory strikes, firing at street barricades with tanks, and they attacked the Grand palais, an FFI stronghold. Apparently, Hitler had given the garrison orders to inflict as much damage in the city as possible. Some 1,000 FFI fighters were killed during the battle for Paris, and another 1,500 wounded.   

On 24 August the big guns started rolling in to help the FFI. The first to arrive were elements of General Philippe Leclerc's 2nd French Armored Division (the Régiment de marche du Tchad). They arrived in Paris at the Hôtel de Ville shortly before midnight. Then the next morning, 25 August, the rest of the 2nd Armored Division along with the US 4th Infantry Division entered the city. These forces by far surpassed those of the German garrison. The Germans signed a surrender that very day at the Hôtel Meurice. Charles de Gualle then entered the city and immediately assumed control as head of the Provisional Government of the French Republic. Paris had been liberated! And by the end of September most of France had been liberated.

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On 16 January 1945 France issued a stamp to celebrate the Liberation of France. This stamp was designed and engraved by Pierre Gandon. This was the first of many stamps issued with this theme.


If Gandon had previously been blamed for being a "so-called" supporter of the Vichy Regime with his Vichy propaganda stamps, this gorgeous stamp symbolising French hope, pride, and fierce patriotism surely earned him a clean slate or as they say a tabula rasa!

In this stamp we see France in the personification of a woman riding a winged horse over French Resistance fighters, spurring them to glorious victory. The horse, with its wings spread wide, is particularly spectacular in this composition. But one other thing I did find interesting was the depiction of the woman. Her face and the position of her head bear a strong resemblance to Gandon's Marianne, which would be issued a month later on 15 February. Perhaps the artist was offering the public a tantalising glimpse of their new definitive. Or perhaps this is just another product of my over-imaginative mind.


Until next time...


Thursday, 27 April 2017

France 1945 - Sarah Bernhardt

Regarded as perhaps the most famous actor of the 19th and early 20th centuries, Sarah Bernhardt appeared in numerous stage plays and some early motion pictures. Born 22 October 1844 in Paris, Sarah never had aspirations to be an actor as a child. She actually wanted to be a nun. This was due in large part to the fact that she was raised in a convent. Sarah's mother considered her a burden to her lifestyle and had her placed in said convent at a young age. 

But Sarah's wily nature wasn't really suited to the sisterhood, a fact noticed by a friend, the Duke of Morny (Napoleon III's half-brother and one of her mother's lovers). He believed that acting would be the perfect vocation for her energetic disposition. So at the age of 16 she entered the Paris Conservatoire. For one reason or another she didn't do well at the Conservatoire, and she left in 1862. But it seems her time there, however unsuccessful academically, gave her the acting bug. Calling upon the help of the Duke of Morny again, she was accepted into Comédie-Française (France’s national theater company). Interestingly, again she did not excel. In fact, her on-stage presence was considered somewhat lack-lustre. Be it stifled or unsuited to the requirements of the Comédie-Française, Sarah rebelled, and even went so far as to slap a fellow actress. Consequently, her contract was terminated in 1863.

This might seem like the end of a potential acting career. But not for Sarah! She tried a different theatre company, the Théâtre du Gymnase-Dramatique. This was the beginning of sweeping changes in her life. She managed to remain with this theatre company for a time - impressive for Sarah! Then during this time she gave birth to her only child, Maurice. Perhaps this event helped settle her or she became happier with her place in the world, but something in her changed. 

In 1866, Sarah's acting career truly began. She signed a contract to work with the Odéon Theatre. Her reputation quickly grew and in 1869 she starred in a one-act play Le Passant (The Passerby) by François Coppée, in front of an audience including Napoleon III.

Sarah had at long last found her true niche. By 1880 she assembled her own travelling theatre company and embarked on a world tour, which included Europe, Australia, Canada and the United States. She became especially popular in the United States. This tour made her an international star.

Sarah was always excited by new technologies. And around the turn of the century a new-fangled idea was being bandied about. The idea of motion pictures. Sarah latched on to the idea and she appeared in some of the earliest movie productions. These movies included a 1900 version of Hamlet (in which she played Hamlet) and La Tosca in 1908.

In 1905 Sarah injured her right knee while on stage in South America. This injury never healed and for ten years she battled with the pain it caused, until the leg became gangrenous and had to be amputated. But this didn't stop her. She continued to act, often while seated, or if need be while wearing a prosthetic leg (which she despised!). She also took up writing. Her memoir My Double Life was published in 1907. Her first novel Petite Idol followed in 1920. She also wrote a manual for aspiring actors, The Art of Theater in 1923. Sarah Bernhardt died that same year. After her death she was immortalised with a star on the Hollywood Walk of Fame. A fitting salute to a truly amazing woman!

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On 16 May 1945 France issued a stamp in honour of Sarah Bernhardt. This truly gorgeous stamp was designed and engraved by Pierre Gandon based on a painting by Bastien Lepage. The stamp has a face value of 4f with a 1f surcharge for the benefit of the Grand Coq in Pont-aux-Dames. a retirement home for dramatic artists. 


The attention to detail in this engraving is staggering. Sarah's hair has so much life and energy, one expects it to start moving about. Ans Sarah's clothing has been superbly rendered.



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Notwithstanding the details, there is another very interesting aspect of this stamp. Something rather strange. Do you see it? Let's look down at the bottom right of the stamp.



The stamp clearly has the name Mazelin as the engraver. Why is this so? Did I make a mistake earlier in attributing this stamp to Gandon? No, I wasn't wrong. Gandon did indeed engrave this stamp. So why isn't his name on it? Well, to answer that we need to remember when this stamp was engraved.

At this point in 1945 World War II was drawing to a conclusion, and in France the Vichy Government had been deposed. Anything done within the Vichy Government was now considered faux pas. This included stamps that Pierre Gandon engraved for the Vichy Government, particularly the Tricolour Legion. Click HERE to see my blog on these stamps. As punishment for his work for the Vichy Regime, Gandon had been banned from working for the France Post for a period of three months by the new administration. But Gandon had to keep working to bring in an income. So to deal with this situation his friend and fellow stamp engraver, Charles Mazelin, agreed to put his name to the stamp. Interestingly, to this day, the Stanley Gibbons France catalogue  still attributes the stamp to Charles Mazelin!

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There is one last interesting note I'd like to include. Whilst searching the net for information on Sarah Bernhardt I found a nice image of Gandon's artist proof for this stamp. Interestingly, the proof does not include the 1f surcharge. It was obviously added later, probably by an in-house engraver? Or was Gandon called upon to alter the design to include the surcharge?



Until next time...


Saturday, 22 April 2017

France 1943 - Lac Lérié and the Meije

Paul Almásy , born 29 May 1906 in Hungary, was a professional journalist and  photographer. Initially Almásy had planned to pursue a career in the diplomatic field, but after working as a correspondent in Morocco in 1925, he realized his love for journalism. After working several years as a journalist he started toying with the idea of taking his own photos for his articles. This proved to be an excellent idea. In 1935 he travelled to Latin America as a correspondent for the Swiss publisher Ringler & Cie. There he began taking photos to compliment his writing. Consequently, his photographic career bloomed.

After moving to France in 1938, Almásy travelled extensively as a journalist and photographer. He visited Africa, Asia, Alaska, and even the Arctic! And not only have his photos been used for journalistic purposes, his work has illustrated some 400 books. 

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On 5 July 1943 France issued a stamp featuring Lac Lérié (Lérié Lake) and the Meije from a photo taken by Paul Almásy. The stamp was designed and engraved by Pierre Gandon.


This lovely stamp features Lac Lérié (Lérié Lake), a mountain lake in France, located some 2,450 metres above sea level west of La Grave, in the department of Hautes-Alpes. The lake sits on on the plateau of En Paris (or Enparis ). 

From the lake one is able to view the spectacular Mejie Glacier. The elegant way in which Gandon has illustrated the glacier is truly eye-catching, and deserves a close-up...


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Today walks around the lake are quite popular. And I can see why. The vistas are magnificent!



Until next time...

Friday, 14 April 2017

France 1959 - The MS 760 Paris

Watching the movie Those Magnificent Men in their Flying Machines as a kid fascinated me. Seeing the fantastic array of early aircraft got me well and truly hooked on aviation history. Since that day I've been captivated by the evolution of aircraft and the talent behind the different designs that grace our skies.

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The French aircraft company Aéroplanes Morane-Saulnier has a rather interesting history. It was founded in 1911 by Raymond Saulnier and the Morane brothers, Leon and Robert. The first plane this company produced was the Model A (also called the Morane-Borel), a monoplane design. This design used a wing-warping mechanism for control. This method of controlling the aircraft was developed by the Wright Brothers and first used on the Wright Flyer  in 1903. The Model A proved to be a cut above the rest when on 26 May 1911 it won the Paris to Madrid Race. The winning pilot was Jules Védrines. Below is a great pic of a Model A c. 1911.


The success of the Morane-Saulnier company continued with the Type G, the first commercially successful design, This was another monoplane with wing warping technology. This series of aircraft had a very successful racing career, setting numerous records. Originally a two-seater, the Type G was tweaked a bit and turned into a single seat fighter plane, known as the Type N. Speaking of fighting, it is interesting to note that the Morane-Saulnier company played a significant role in the development of the technology allowing a machine gun to fire through a propeller without destroying it, using what was called a Synchronisation Gear. This revolutionary technology changed the face of aerial combat in World War I.

In the early 1950s, responding to the needs of the French Air Force, the Morane-Saulnier company began designing jet trainers. Their first design, the MS.755 Fleuret, was not as effective as hoped, so they went back to the drawing board. What resulted from this was the sleek-looking four-seat aircraft, MS 760 Paris. This aircraft was used by the French Defence Forces, and it was also sold to Argentina and Brasil for use in their Air Forces.
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On 16 February 1959 France issued an airmail stamp featuring the MS 760 Paris. Incidentally, this was the last stamp issued in a series of airmail stamps that began in 1954. The stamp had a face value of 300f and it was designed and engraved by Pierre Gandon.


The detail is of lovely design is excellent. We can even see the four people sitting in the cabin.


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In 1960 the franc was revalued and called the "New Franc".100 Old Francs became 1 New Franc, or NF. With this revaluation new airmail stamps were required. This lovely stamp was re-issued with a new 3f value.



Until next time...


Thursday, 30 March 2017

France 1942 - Tricolour Legion

Very strange things happen during times of war, such as the creation of a military force that ever only existed on paper. This was the story of the French Tricolour Legion.

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On 8 July 1941, the Legion of French Volunteers Against Bolshevism was founded. This force was primarily made up of French right-wing volunteers and French prisoners of war who preferred fighting the Russians over doing hard labour and rotting away in prison camps. This force was ostensibly French, wearing French uniforms at home. But they fought with the Germans against the Russians, and while in battle (or simply outside of France) they wore German uniforms. In fact, 35 of its officers were German. It is important to note that this volunteer force, known by the acronym LVF, was not officially endorsed by Petain and his Vichy Government.

In response to the sudden growth of the new LVF, and perhaps fearing its commitment to Germany, Marshal Petain's Vichy Government created The Tricolour Legion. In fact, the whole idea of the Tricolour Legion was an attempt by the Vichy Government to swallow the LVF into its ranks and take full control. Despite the idea of the Tricolour Legion being more French than the LVF, Petain promised the Germans that this new force would be even more committed to the German cause. If that doesn't get ones head spinning in ironic dismay, I don't know what would. Perhaps Petain attempted to utilise a bit of reverse psychology. Perhaps he had the idea of using the Legion to give France some semblance of independence from Germany military-wise, and the whole concept of committing the Legion more wholeheartedly with the German army was a ruse to ensure its creation. This, of course, is pure speculation, and whether or not this was the case, Hitler certainly saw something in it against his interests and he officially prohibited its existence on 17 September 1942. The French Government did not agree to this until 28 December 1942. Subsequently, the Tricolour Legion was absorbed into the LVF not long after.

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In a move purely for propaganda, France's Vichy Government had a special Tricolour Legion stamp set issued on 12 October 1942 - after Hitler had prohibited the Legion. The issue comprised one design in two colours: red and blue. Each stamp had a whopping surcharge of 8f 80! This surcharge went straight into the pockets of the Legion's administrators. 

The designer of the issue was a person with the surname Éric. That is all the information I have been able to find on this person  The design was engraved by Pierre Gandon. Gandon's involvement in the production of this issue landed him in some hot water when the Vichy Government were overthrown in 1944. But I'll deal with that situation in a future blog. Suffice to say, Gandon had to make a living in those torrid times, and it is sometimes easy to cast aspersions on a person and their choices many years after the fact with the benefit of that lovely thing called "hindsight". Enough said. Now on to the stamps.



Despite the fact that these designs ooze propaganda from every fibre of the paper upon which they are printed, they are important historical images of human history. To the left we see a French soldier, the epitome of his country's proud military history. Indeed, to the right we see soldiers from the past marching forth proudly, bolstered by powerful tradition. I, for one, like Gandon's engraving work on this issue. Propaganda it may be, but it still a quality engraving. 

Until next time...


Thursday, 2 March 2017

France 1942 - Saint-Étienne Coat of Arms

A refuge for the homeless. A market town. A specialist in ribbon manufacture. The hub of a thriving coal mining industry. Even the centre of a thriving bicycle industry! This is Saint-Étienne.

The city of Saint-Étienne is located in eastern central France, about 50 km southwest of Lyon. The area was first settled by Hungarian refugees in the early 9th century. But the city itself, named after Saint Stephen the martyr doesn't appear in historical records until the middle ages. It was then known as Saint-Étienne de Furan (after the River Furan, a tributary of the Loire). It was at that point just a small borough surrounding a church dedicated to Saint-Étienne (Saint Stephen).

By the 16th Century the city had a thriving arms manufacturing industry. It also made a name for itself as a market town. In fact its arms industry was so strong that during the French Revolution the city's name was changed for a time to Armeville, which in English means Arms Town. But the city wasn't all weapons of war. During the 17th Century it was also famous for ribbon and passementerie manufacture. If you're wondering what passementerie is (I certainly did when I first read the name!), it is the art of making elaborate trimmings and edgings for clothing and furniture.

Throughout its colourful history Saint-Étienne has also been the centre of a large coal mining industry, being that it is located right in the middle of the Loire coal mining basin. And to top off this city's diverse industry, it now is a known bicycle manufacturer.

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On 5 October 1942 France issued its second set of Coat of Arms semi-postal stamps (the first set was issued on 15 December 1941). The second set consisted 12 stamps, each featuring a French Provincial Coat of Arms. Each stamp had a 7f surcharge that went to the National Relief Service. The Saint-Étienne Coat of Arms stamp was designed and engraved by Pierre Gandon. This was Gandon's second Coat of Arms stamp. Click HERE for my blog on his Rheims stamp.


The Coat of Arms of Saint-Étienne has been in existence since as early as 1667. There are three key aspects to this Coat of Arms. The palm fronds, the three crosses, and the crown. The palm fronds and the crosses pay homage to Saint Stephen, the city's namesake. Saint Stephen was stoned to death in Jerusalem in 36 AD. He is widely considered to be the very first Christian martyr. The palm fronds in the Coat of Arms represent the traditional martyr's palm frond. The crosses represent Christianity, and at the tips of each cross one often finds little circles depicted. In this stamp small squares are depicted. These are representations of the stones used to slay Saint Stephen.  Surmounting the palm fronds we find a crown. This is a representation of the willingness of the local population to be placed under the influence of the king.

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As an interesting side-note many artistic representations of Saint Stephen depict him with three stones and the martyr's palm frond.



Until next time...


Wednesday, 22 February 2017

France 1942 - Imperial Fortnight

The purpose of propaganda was to promote a cause, often political, by the use of biased or untrue information. This technique, by its very nature, was the perfect tool for use during times of war.

In 1942 the Vichy government in France used the propaganda tool in an attempt to foster support for the empire, the control of which had been on the decline since the armistice with Germany in 1940. This came in the form of the "Imperial Fortnight", which took place between 15-31 May. 
"...in the depths of her tragic misfortune, France turns to her Empire, looking for comfort and consolation, and most of all for a reason to be proud and to believe in the nation." (Blanchard, 2013, p308)
The primary aims of the Imperial Fortnight were to highlight the important part the colonies would play in the rebuilding of France. Indeed, Marshal Petain illustrates this in a brochure put out by the Secretary General of Information and Propaganda, which emphasized that it was thanks to the colonies that... 
"...the wounded homeland was able to regrow." (Blanchard)
Further, the Fortnight urged young people to consider living in the colonies to strengthen industry and to build relations with those outside mother France.

In order to spread the word during the Imperial Fortnight stands were set up in cities illustrating the value of retaining the colonies. In fact, France had used this form of propaganda before in colonial fairs. In these fairs people were actually brought to France from the colonies. They were then placed on display behind roped-off areas performing so-called everyday activities to...
"...create the atmosphere of a "real" native village." (Ginio, 2006, p18)
An Imperial Fortnight propaganda train also toured the country, packed with brochures, images, and other information illustrating what life was like in the wonderful colonies. 

While researching this topic I was also surprised and horrified to discover that propaganda stalls were set up in various prisoners of war camps detaining French soldiers!

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On 18 May 1942 the Vichy government had a semi-postal stamp issued specifically for the Imperial Fortnight. The 8f 50 surcharge went straight to the Fortnight Commitee. This stamp was designed and engraved by Pierre Gandon.



This stamp design juxtaposes the simple colonial life with the benefits of industry, which is looming on the horizon. The mother and child in the foreground has been beautifully engraved. One almost wonders if the child, gazing at the approaching industry, is afraid for what their future may hold. An interesting stamp despite the blatant propaganda.

Until next time...

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References:

Blanchard, P., (2013), Colonial Culture in France since the Revolution, Indiana University Press.

Ginio, R., (2006), French Colonialism Unmasked: The Vichy Years in French West Africa, University of Nebraska Press.


Friday, 17 February 2017

France 1942 - Philippe Pétain

How does a man go from brilliant military strategist intent on protecting France to a seemingly cold dictator craving ultimate control of said country? This is a question that has sparked controversy among military historians for decades. And just who is this man? He is The Lion of Verdun. Marshal Philippe Pétain. Hero or villain? You decide...

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Philippe Pétain was born 24 April 1856 into a farming family. But farming didn't seem to be in his blood. In fact, what inspired him in his youth were the exciting tales told to him by his great-uncle, a Catholic priest, Father Abbe Lefebvre, who had fought in Napoleon's Grande Armé. Petain heard swashbuckling adventures set in Italy and the rugged Alps in Switzerland. So hooked by these tales was Petain that a military life seemed certain. But interestingly, this was not his first career choice. As a young adult he left home to study, of all things, philosophy! 

But studying to think deep, philosophical thoughts didn't last. A year later, in 1876, Pétain enrolled at St Cyr Military School. His rather lack-luster results in the entry exam didn't bode well for an illustrious career. He finished 403 out of 412. Surprising, considering when he was at school he was considered quite intelligent. But undaunted by the initial test results, he studied with vigour and his results radically improved. In 1878 he graduated as a 2nd Lieutenant.

His military career progressed rather slowly and by 1911, some 33 years later he had achieved the rank of colonel. It should be said, that before World War I Petain saw next to no military action, serving mostly in garrisons in France, consequently the opportunities for promotion were not exactly lapping at his heels. Also, his rejection of long-standing French military doctrine probably didn't help his cause very much. His willingness to stand up and criticize French military strategy was a clear indication of his fear for the safety of France.

In 1911, Petain was given command of the 33rd infantry regiment at Arras. By this time he was teaching what was to become his trademark leadership style. He believed in meticulous preparation. That the role of artillery - the bigger the better - was necessary for victory in modern warfare. That information gathering and sharing, and effective reconnaissance were vital. That new technologies must be researched and utilized. And most of all, he advocated harsh discipline and good living conditions for the men.

Everything about this style seemed to conflict with the conventional wisdom of the day in the French army. It was widely believed that morale through dense infantry formations charging valiantly toward the enemy was the more honourable way to fight. Petain knew that with modern weaponry this was a useless style. He was to be proved right. In the early stages of WWI this antiquated approach to warfare led to the needless slaughter of thousands of Frenchmen at at the hands of the Germans, who had embraced modern technology and were putting it to devastating effect. Machine guns, and long-range artillery such as howitzers were now the order of the day.
"The lessons of fire cannot be ignored anymore. From now on, war will change in its character. Material will take an ever more considerable place, as factories will develop its power and quantity."
It was perhaps his new adaptive modern style of leadership that saw Petain rise from colonel to Lt. General in the first few months of the war. After some early success and a devastating loss at the Champagne offensive, he came to realize that success in this new war would not be gained through one off offensives but through a war of attrition. This belief was surely put to the test when he was given command of forces at Verdun.

At Verdun, he proved to be an excellent commander. He organised the very successful "sacred road", the main supply road in and out of Verdun. This road saw the movement of up to 90,000 men and 50,000 tonnes of supplies, per week in and out of Verdun. And when he saw the staggering death toll at Verdun he introduced a system whereby if a battalion lost a third of its strength it was replaced by another fresh battalion. This is why 70% of the French army fought at Verdun. After several months of fighting though, it was decided by the French Commander-in-Chief, Joffre, that more decisive attacks were needed in this campaign, and Petain was promoted out of the way. Command was given to Robert Nivelle.

This was not the last time Nivelle would steal Petain's thunder, as it were. At the end of 1916 Neville was chosen over Petain to replace Joffre as Commader-in-Chief of the French army. This is important, because in April 1917 after Nivelle had completely botched the Chemin des Dames offensive there were wide-spread mutinies in the French Army. Nivelle was ousted and Petain made Commander-in-Chief. Petain put an immediate stop to the mutinies by holding 3400 court martials. Additionally he promised no more suicidal attacks, that rest would be provided for exhausted soldiers, which included brief stays at home, and of course a return to moderate discipline. Indeed, Petain's treatment of the regular soldier made him a hero in the ranks. He was a "soldier's soldier".

By the end of the war, Pétain wax regarded as 
"without a doubt, the most accomplished defensive tactician of any army." 
On 8 December 1918, Philippe Pétain was presented with his baton of Marshal of France at a public ceremony at Metz by President Raymond Poincaré. He was also present at the signing of the Treaty of Versailles on 28 June 1919.

In the period between the First and Second World Wars, Pétain's battle arena changed from muddy fields to political arguments around a table. But his battles seemed no less heated. He violently opposed changes the government were making to the military, such as shortening the length of national service to a year. and the reduction of the number of standing infantry division to twenty. Pétain was seeing the military strength of France crumbling before his eyes. But what could he do? His was just one voice.

But he did what he could. On 1 March 1935 Pétain's now famous article was published in the Revue des deux mondes. In the article he reviewed the history of the French army since 1927–28, criticising the Militia (reservist) system in France. And he also attacked France's lack of adequate air power and armour. Meanwhile, Adolf Hitler announced just five days later the creation of Germany's new air force and it was increasing its army to 36 divisions. This new must have scared Pétain terribly. France was no match for Germany. Was this part of his rationale for his later decisions? Who knows.

Then in May 1940 what had been dreaded for some time became reality. Germany invaded France. Now, many things happened in a very short time - far too much to go into here. But a couple of things are noteworthy and perhaps attest to the altered mindset of Pétain. After the Germans pushed further into France in 24 May British forces began to retreat and they could no longer guarantee air support. The French government now started to discuss the possible need for an armistice with Germany. Britain responded to this by stating that if an armistice were signed Britain would have no choice but to bomb German occupied ports of France. Here we see a perfect illustration of the tenuous state of relations that can arise between nations. Both sides are quite justified in their positions. But there is really no mutually beneficial answers.

After the fall of Dunkirk on 5 June 1940 and with Germany closing in on Paris, the newly reshuffled French War Cabinet considered the possibility of leaving Paris and calling again on Britain. Pétain was against this move. He thought that France could work things out for themselves. He was probably already thinking armistice with Germany was the only way to save France.

On 10 June the government left Paris and moved to Tours. There was a growing feeling that fighting was useless and would only lead to destruction. Churchill flew to France to try to talk them out of an armistice with Germany, suggesting options such as guerrilla warfare within France. Pétain responded by simply stating that France no longer had the reserve forces to defend against the Germans. Incidentally, Pétain had years earlier fought to have more and better reserve units.

So, the upshot of all this was that some in the government still thought resistance against the Germans was the way to go. But these voices were outvoted. Some now even thought surrender was an option. But this was violently opposed by Pétain's camp. Subsequently, the current Prime Minister Reynaud resigned and Pétain was made PM. Shortly after this the government moved to Vichy.

Now 84 years old, Pétain took over the government completely, even going so far as to pass a law on 10 July granting himself what was essentially absolute power. His leadership seemed to go downhill from here. Among other things he began a persecution of Jewish people and he created his own army the "French Legion of Combatants". His outward friendliness towards Hitler did not win the man any brownie points either! Why? Who knows. Perhaps an overreaction to the fear brought on by the possibility of France being totally destroyed by the Nazis. Of course, no one will know the man's thinking or motives.

As a consequence of his pro-nazi actions as leader of Vichy France, Marshal Pétain was charged with war crimes, found guilty, and sentenced to death. But due to his advanced age his death sentence was commuted. He died in exile on 23 July 1951 in Port-Joinville on the island of Yeu.

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On 31 March 1942, France issued a set of two stamps of the same design, featuring the bust of Marshal Petain. The stamp was engraved by Pierre Gandon, based on a design by Paul-Pierre Lemagny. This stamp design, printed in intaglio, was actually a re-engraved version of a stamp engraved by Georges Hourriez printed in typography and issued 21 January 1942. This stamp set was issued during the Vichy Government in France as a propaganda tool to support Marshal Pétain. In fact, many other stamps were issued in France for this reason during the Vichy government.





So there you have it. The story of The Lion of Verdun. Hero or villain? That is up to the individual to decide...

Until next time...

Thursday, 9 February 2017

France 1941 - Reims Coat of Arms

The city of Reims, located about 130 km to the northeast of Paris, has seen quite a checkered history. From an ally of the Roman Empire to the location of a Christian miracle, and from bloody battles to wine-making. But I get ahead of myself! To proper discover the story of Reims we must jump in the Stamp Crazy Time Machine and travel back over 2000 years. So strap yourself in...

The area that became Reims (also spelled Rheims) was founded by the Gaul tribe known as the Remi and used as their capital. In 80 BC after the Roman conquest of northern Gaul, the area was made a Roman town, called Durocortōrum "round fortress". The Remi people, still living in the town, allied themselves with Rome during Julius Caesar's invasion (58-50 BC). They remained loyal to Rome during the subsequent Gallic insurrections that resulted from the invasion. Their fealty was rewarded, and subsequently the city grew. At the height of Rome's power the population possibly reached somewhere in the region of 100,000. More conservative estimates place it as between 30,000-50,000.

Over the course of the next five centuries the city was the site of several invasions. In 406 it was captured by the Vandals. In 451 Attila the Hun stormed in and put the city to the sword. Then in 496 perhaps one of the most momentous events in the city's history occurred shaping its destiny for centuries to come. Ten year after his victory at Soissons in 486, Clovis, King of the Salian Franks, was baptised in the city in the Abbey of Saint-Remi. He was baptised using the oil of the sacred phial, which was supposedly delivered by a dove from heaven specifically for the occasion. These supernatural events became a symbol for the monarchy's divine right to rule. Over time Reims became the traditional site of the crowning of the kings of France. The crowning ceremonies were held in Notre-Dame de Reims "Our Lady of Reims". This Cathedral is now a World Heritage Site and a popular tourist destination.

These days Reims is one of the main centres of Champagne production. In fact, many of the largest production houses in France, known as les Grandes Marques. Interestingly, the city of Reims sits atop a maze of tunnels and caves cut into the chalk. These caves, some dating back to Roman times, are used to store champagne while it ages.

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On 15 December 1941, France issued the first of two series of semi-postal stamps. The surcharge on these stamps went to National Aid. The theme for the series was Coats of Arms of France. The 3f + 5f Coat of Arms of Reims stamp is the focus of this blog.This stamp was designed and engraved by Pierre Gandon. 



I spent a bit of time researching the Coat of Arms of Reims without much success. So I'm going to hazard a guess as to the meaning of the three main parts of the shield. I have created a key, see the image below, for ease of discussion.


  1. These branches are bay laurel (Laurus nobilis), which is used for laurel wreaths. Bay laurel can often be found on a Coat of Arms. They signify victory and glory.
  2. Here we have the "fleur-de-lis (sometimes spelled "fleur-de-lys") or "flower of the lily." This symbol, depicting a stylized lily or lotus flower, has many meanings. Traditionally, it has been used to represent French royalty, and in that sense it is said to signify perfection, light, and life.
  3. Surmounting the shield is a crown, which usually signifies sovereignty and empire. In this instance it could also refer to the fact that the city was the place where French kings were crowned. The crown here is shaped like ramparts which can symbolise strength and stability.
  4. The Coat of Arms motto is Dieu en Soit Garde. This I have been told basically means God, protect us.
  5. And the last thing, you will notice on the bottom of the shield on the stamp two crosses. The one on the  right hand side is the Croix de Guerre, and the left one is the Croix de la Legion.
As an interesting little finishing note, I have noticed the Gandon signed his early work for France "P.Gandon".



Until next time...